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   education @      &$ F   @:Nd`# header 	y   G g/
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>Introduction</B></FONT></P> 7 G $S 	   H oE 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>1. &nbsp;Western Thinkers</B></FONT></P> 8 H ; 	   I o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>2. &nbsp;East Indian Thinkers</B></FONT></P> 9 I  	   J o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>3. &nbsp;Eastern Thinkers</B></FONT></P> : J  	   K o1 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>4. &nbsp;Russian Thinkers</B></FONT></P> ; K ݀	   L oi 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>5. &nbsp;Middle Eastern Thinkers</B></FONT></P> < L 	J0	   M o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>6. &nbsp;Latin American Thinkers</B></FONT></P> = M 	JfL   N Mb  33  "4oG6f1  7u)٘ޛ6oSQ8b   O Vr 33  (wfzpR;]&@;8RA f 8oqIG_s0mܮn8ӂBL   P Vs  33  f7[ƽ{n+   [ƽ{!jpNMŖ  -   Q N6  /<erq+kV~0P 6   R  - N   O   P   Q     KUv     > R D?   S _serif   	"   T W0S            (  PG 1 A T @:Ol~    U ~nM<Ŭ  
 33  33  33  33  33 %uɢ[G_^<)2[G_]ё{%Khϵ)[FJ|]zpdm(P[GJKoQ-ӗlۀE U b@		  V >2               <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Role models throughout history offer distinctions that identify civilized behavior. &nbsp;</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">In this section, we offer a multicultural array of thinkers whose contributions reigned from before <SBR/>time was invented to the present. &nbsp;&nbsp;&nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Here we get some clue what it takes to be civilized so we can regenerate these practices. &nbsp;</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">We get straight about our demands and preferences to live in civilized societies. &nbsp;</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">We practice, practice and practice, accepting compassion and forgiveness for our failures </FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">with our continuing attempts to break through to more evolved states of being. &nbsp;But we </FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">need to have a template for what it means to be civilized, as our media is not offering any such <SBR/>model.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">We offer some concepts to stimulate your mind to imagine &quot;What is a civilized society&quot;? &nbsp;For one,</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">it is a society that uses language to get its needs met. Language is the basis of all action, and as</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">such, it is through language that we discover and generate possibilities that enhance our lives. &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">However, in a Machiavellian economy, silence and the attendant <FONT COLOR="#339966">&quot;Games People Play&quot;</FONT> rule.</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">The use of language in getting one&apos;s needs met has degenerated in use so much that &nbsp;&quot;language&quot;</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">as an art form was exhibited at the Museum of Modern Art in San Francisco, like an artifact of <SBR/>civilization (2001-2002). </FONT></P> F V T @ A F L   W Vs  33  /gr1lޚ5mW  	ؽSVѯhu8pڜWr0 b   X Vs&( 33  .wrG_ލ0mQ8).ӁnB8RC|  f 	eݚ="ih.uIpޜvr L   Y Vs  33  	ŽSVѯh7   	ؽSVѯhu8pڜSr2 /   Z  & W   X   Y     ŜIBl     A Z 0 	"   [ W0S            (  PG 2 D [ @:Ol~ ?   \ _sans   	D  ] ѿ
 2               <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Wake up people, if you don&apos;t use it, you lose it! &nbsp;Language is where your power lives. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>WHAT MAKES A SOCIETY CIVILIZED?</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A Civilized Society regards public interest as it&apos;s main concern, and strives to make the quality of <SBR/>life better for all. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A civilized society provides education founded on principles of Ethics, Logic, and Passion and <SBR/>encourages innovative and creative thought based in the Arts and Sciences of Humanities. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A civilized society concerns itself with foundational issues that affect its members&apos; Health and <SBR/>Welfare: &nbsp;sanitation, transportation, energy, labor, recreation, gymnastics, arts, sciences, culture, <SBR/>food sources and supplies, crime and misdemeanors, defense, and the relationship it has with <SBR/>neighboring societies.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A civilized society maintains support systems and programs for its members in the event of <SBR/>tragedies, accidents, catastrophic events of nature, including the civilizing of the perpetrating nature </FONT></P> F ] d  @ D F 	"   ^ W0S            (  PG 3 D ^ @:Ol~ 	  _ ѿ倭2               <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">of man. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A civilized society does <FONT COLOR="#FF0000">not </FONT>make fodder of its people or people of other societies for the purpose of <SBR/>generating profit, including profits from war, crime and disease industries.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A civilized society regulates those items that protect public interest: utilities, water supplies, <SBR/>transportation, health, education, advertising, television programming, war issues, and crime. &nbsp;<SBR/>Regulations keep greed and wealth in check, and public interest issues in the forefront. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A civilized society strives to make the quality of life good for its members. &nbsp;It does not build <SBR/>industries that cause them disease, stress them, incarcerate them, mollify them, aggravate them, <SBR/>incense them, humiliate them, penalize them, or kill them. &nbsp;&nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A civilized society is our human inheritance, not a remnant from 500 B.C. , or any Golden Age. &nbsp;It is <SBR/>our birthright, and wealth has no business undermining civilization to make a buck. &nbsp;</FONT></P> F _ d  @ D F 	"   ` W0S            (  PG 4 D ` @:Ol~ 	L  a ?
 2               <P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">A civilized society is a place where truth, imagination and enlightenment take hold and humanity <SBR/>stretches itself to evolve. &nbsp;It grows, changes, and grows again and again. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">The requisite energy for evolution is instability.</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Stasis occurs once again at the change point. &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Dancing around the still point is a celebration of the endurance and innovation of mankind.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">What do we mean by civilized? &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">in a &nbsp;NUTSHELL we mean:</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">.....that we learn to use language to sort out our issues, using Ethics, Logic, and Passion.</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000"> &nbsp;</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">.....that we learn to argue, debate, reason, and enlighten with our mirrors and each other to sort</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000"> &nbsp;&nbsp;&nbsp;&nbsp;things out. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT></P> F a t  @ D F 	"   b W0S            (  PG 5 D b @:Ol~ 	-  c ?퀭2               <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">.....to match Self-interest with Other-interest..... we empathize and weave an interdependence</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000"> &nbsp;&nbsp;&nbsp;where the norms of civilization predictably occur like a choice, not like a duty.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">.....that we will notice our state of integrity and decide to trust ourselves and go for results! &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">.....that we will adhere to the appropriate communication style that works best for us to interact </FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and get our needs and desires met with ourselves and others, rather than devolve into</FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000"> &nbsp;&nbsp;&nbsp;&nbsp;psychological drama-ridden projection machines out to hurt the self and others.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">.....that we will sharpen and use our wills and our wits to will good for ourselves and for others, </FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;acknowledging that our self-interest combined with the interest of others ....works! &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000"><B>WHY WE ARE NOT IN TOUCH WITH THIS AGE OLD WISDOM?</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">The education of the Humanities in the world have been severely undermined and watered down.</FONT></P> F c t @ D F 	"   d W0S            (  PG 6 D d @:Ol~ 	  e ?
t2               <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">What has been substituted are the rules of etiquette we need to know if we want to be part of a <SBR/>team that is operating in a corporate structure. &nbsp;Youngsters have not been taught the ability to think <SBR/>and to analyze, which comes with the study of Humanities, and the practice of Arts and Sciences. <SBR/>Instead they have been offered the rules of etiquette which are determined by the dominant culture <SBR/>and change enough to make people crazy.... </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">We feel it is crucial that we make this distinction so that people can begin to think critically about <SBR/>what is going on in the world and get some practice at making a difference. &nbsp;We will not do this if <SBR/>we think we will be left out of the group.... so as individuals, we have to learn and practice this to <SBR/>turn things around on a group level... &nbsp;This is what will count. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">We distinguish the principles of Humanities from the rules of etiquette within this framework. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000"><B>PRINCIPLES OF HUMANITIES VERSUS RULES OF ETIQUETTE</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Principles of Humanities arise from natural laws of the universe, made human, when expressed as <SBR/>character, intelligence, goodwill, making claims, and presenting passionately such that others are </FONT></P> F e t @ D F 	"   f W0S            (  PG 7 D f @:Ol~ ?   g _sans   	  h ?	x 2            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">moved to act &nbsp;with integrity for the benefit of all concerned. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Rules of etiquette arise from the rules of a dominant culture, made inhuman when expressed as <SBR/>the codes of an insider language. &nbsp;The codes provide privileges, and are dependent upon adaptive <SBR/>behaviors that use silence, denial, duplicity, deceit, and artifice to keep the dominant culture intact. &nbsp;<SBR/>Wanting to belong to the dominant culture costs us enormous pieces of our humanity. &nbsp;The truth is, <SBR/>we cannot <B><I>not</I></B> belong to humanity, so this giving up is useless and self-defeating in the end.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">We hold the point of view that, even though etiquette may offer some solace from potentially <SBR/>embarrassing moments and help one to keep one&apos;s nose clean, the giving up of the principles of <SBR/>humanities has cost us our ability to experience personal and social integrity. &nbsp;We have the ability <SBR/>to be empowered and be a power source for others with these principles intact, such as these <SBR/>various thinkers here have been for us. &nbsp;There are many more important men and women who <SBR/>have made a difference in the quality of human life on this planet, and when we are up to speed, </FONT></P> F h t 	Z   i w	0\               David... do page numbers from 1 to 5 for intro to civility G i F)P @ > D F G 	"   j W0S            (  PG 8 D j @:Ol~ 	  k ?2            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000"> we will generate editions of noodlebrain that will enable more of these people to be acknowledged <SBR/>and heard. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">If you know of anyone who has made a difference in the quality of human life, we want to know <SBR/>about it. &nbsp;Send us an email and a reference book for the person and we&apos;ll place it as long as the <SBR/>thinker uses language to present ethically, logically and passionately for the good of all. &nbsp;</FONT></P><P ALIGN="LEFT"></P> F k t 	Z   l w	0\               David... do page numbers from 1 to 5 for intro to civility G l F)P @  
              $ 7 8 9 : ; < = A D E F G @ ?    
   Introduction   vh	 
  i3 W   m  J     .T    04      ?      04       &   m   -}M3	 W   n  J     .T    04      ?      04          n   .r3*	 W   o  J     .T    04      ?      04          o   .r3 	 W   p  J     .T    04      ?      04       0   p   .r	 W   q  J     .T    04      ?      04       :   q   .@	 W   r  J     .T    04      ?      04       D   r   .;@	 W   s  J     .T    04      ?      04       	   s   .r3G 	 W   t  J     .T    04      ?      04           t fw	     0M5E@i @̆     !    ) ȨȠ	    6# F   @:Nd`# 	 header 	y   u g/
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>Introduction</B></FONT></P> 6 u $S 	 	~   v g-
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>1. &nbsp;Socrates</B></FONT></P> 7 v ; 	 	{   w _}?` 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>2. &nbsp;Plato</B></FONT></P> 8 w  	 	   x g+
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>3. &nbsp;Aristotle</B></FONT></P> 9 x  	 	   y o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>4. &nbsp;George Campbell</B></FONT></P> : y ݀	 	   z o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>5. &nbsp;Kenneth Burke</B></FONT></P> ; z 	J0	 	   { o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>6. &nbsp;Brad Blanton, Ph.D</B></FONT></P> < { 	Jf	 = U b@A R D	 	"   | W0S            (  PG 1 D | @:Ol~	 ?   } Arial   	[  ~ 
(2}            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B><I>The Rhetoric of Western Thought</I></B> , Golden, Berquist, Coleman; 1983 Kendall/Hunt Publishing <SBR/>Company provides a comprehensive study of Western Thinkers and is one of the sources for the <SBR/>sections in this module on Socrates, Plato, &nbsp;Aristotle, Campbell and Kenneth Burke. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Our other feature, Dr. Brad Blanton, is a contemporary writer who explicitly deals with language and <SBR/>lying regarding psychological health issues in his book called <B><I>Radical Honesty</I></B>. &nbsp;Because we are <SBR/>currently caught up in this Machiavellian economy, we feel it is good to unlearn this conditioning <SBR/>with the help of someone who not only understands, but can speak clearly. &nbsp;Dr. Blanton earns his <SBR/>living guiding people who have been dishonest with themselves and others, and gives them these <SBR/>tools to find their way back to pychological health. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">So, why talk about rhetoric in the civility module? &nbsp;&nbsp;Civilization functions through the language we <SBR/>use to get our needs and desires met. &nbsp;Rhetoric is the art of using language persuasively. &nbsp;These <SBR/>folks present some mentoring for us to begin to see how we get lost without some tools to sort out <SBR/>what is useful rhetoric and what is not, so that we do not throw the baby out with the bath water.</FONT></P> E ~ E	 r    p,
v	p 	" 3f3 	5fTɚ[@ 8h8833   a|&Kxbaŵ+,kVLT,s<bxC*Ed|Pܱ F  5Ŭ@ D E > Z 0
 	#    _D?` 0S  33        (  PG 2 D  '@:Ol~
 	-   2            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">If the word &quot;rhetoric&quot; makes you feel like you are about to get duped, it is because we have been <SBR/>misguided so that we will not use the power of persuasion to get our needs met. &nbsp;We want to <SBR/>debunk the four myths responsible for those feelings. and for placing the art of rhetoric in the <SBR/>contemporary trash-can.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">These four myths &nbsp;&quot;have contributed significantly to the contemporary practice of relegating the <SBR/>idea of rhetoric to the level of a pejorative concept&quot;. 8 &nbsp;&nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Ever since Hitler used language to persuade the people of his country to act<FONT COLOR="#FF0000"> un</FONT>ethically, we have <SBR/>been denigrating the use of rhetoric as a form of persuasion. &nbsp;Instead of our politicians speaking <SBR/>out truthfully and persuasively, we hear sound bites meant to appease, not empower us. &nbsp;We <SBR/>have lost our ability to think critically and do not empower ourselves to learn to argue. &nbsp;We have <SBR/>become <FONT COLOR="#339966"><B>misologists</B><FONT COLOR="#000000"><B>. &nbsp;</B>&nbsp;</FONT></FONT></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B>FOUR MYTHS</B> that disempower the power of persuasive speech....</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B>Myth One</B>: &nbsp;&quot;Rhetoric, it is argued, <FONT COLOR="#CC0033"><B><I>deals with o</I></B><FONT COLOR="#CC0000"><B><I>rnamental la</I></B></FONT><B><I>nguage rather than with </I></B></FONT></FONT></P> E  
 @ D E 	"    W0S            (  PG 3 D  @:Ol~ ?    Arial   	3   _
9 2}   3       (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#CC0033"><B><I>substantive ideas</I></B>. <FONT COLOR="#000000">Such a perspective prompted the German scholar Ernst Robert Curtius, after <SBR/>tracing the historical thrust of rhetoric in the Middle Ages, to express the view that the subject has <SBR/>little more than a &quot;waste of paper&quot; appeal for the contemporary student of literature. &nbsp;Those who, like <SBR/>Curtius, continue to perpetuate the myth that rhetoric is associated with flowery figures of speech <SBR/>and empty verbalism and bombast are not inclined to give this traditional art a central place in <SBR/>modern education.&quot; 9 &nbsp;&nbsp;</FONT></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">So unless you study Speech and Communication, you will not learn how to do this. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B>Myth Two</B>: &nbsp;&nbsp;&quot;<FONT COLOR="#CC0000"><B><I>Concurrent with the association of rhetoric with ornamentation </I></B><FONT COLOR="#000000">is a present <SBR/>attempt, like that employed by Plato in his dialogue <I>Gorgias, </I></FONT><B><I>to ally it with appearance rather than <SBR/>reality</I></B><FONT COLOR="#CC3366">.<FONT COLOR="#000000"> &nbsp;But whereas Plato then proceeded to construct a true rhetoric in the <I>Phaedrus,</I> numerous <SBR/>modern critics, treating all rhetoric as a monolithic form, have portrayed its permanent nature as </FONT></FONT><B><I>a <SBR/>hollow discipline without substance or utility.</I></B><FONT COLOR="#000000"> &nbsp;Several years ago a group of two hundred <SBR/>professors at Ohio State University signed their name to a petition as a gesture of opposition to the </FONT></FONT></FONT></P> E  Ĩ @ D E 	"    W0S            (  PG 4 D  @:Ol~ 	Y   
1 2            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">War in Vietnam. &nbsp;Above their signatures was the caption: &quot;Rhetoric or Reality?&quot; &nbsp;This damaging <SBR/>dichotomy, so widely accepted by activists throughout the United States, has contributed further <SBR/>to the deterioration of the meaning of rhetoric.&quot;10</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B>Myth Three</B>: &nbsp;&quot;Rhetoric, it is suggested by others, is <FONT COLOR="#CC0000"><B><I>a truncated art primarily concerned with <SBR/>style and /or delivery; or with limited aspects of invention</I></B><FONT COLOR="#000000">. &nbsp;In the 16th Century Richard <SBR/>Sherry and Henry Peacham felt justified in limiting rhetoric to the single canon of style. &nbsp;In the <SBR/>same century Peter Ramus generously awarded the canons of invention and disposition to logic, <SBR/>thereby reducing rhetoric to style and delivery. &nbsp;A century later other separatists, including <SBR/>Thomas Sheridan and John Walker, further truncated rhetoric by identifying it with voice control <SBR/>and bodily activity. &nbsp;Nor has this debilitating truncation process been limited to a separarion of the <SBR/>canons. &nbsp;Equally deleterious is the practice of corrupting a canon by removing from its sphere <SBR/>some essential parts. &nbsp;When the Romans following the death of the Republic in 43BC instituted <SBR/>the monarchial system of government under Caesar Augustus, meaningful controversial ideas no </FONT></FONT></FONT></P> E  E @ D E 	"    W0S            (  PG 5 D  @:Ol~ 	   
ـ2            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">longer fell under the province of rhetoric. &nbsp;The central canon of invention or message forthwith <SBR/>was reduced to the ceremonial genre. &nbsp;As a result there was &quot;a decay of eloquence&quot;.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">But if the Romans in the period of the emperors amputated vital segments of rhetoric, so too <SBR/>have many modernists. &nbsp;Some businessmen and advertisers, for example, have removed hard <SBR/>core logos from their inventional theory. &nbsp;Not a few historians and literary figures, moreover, <SBR/>have excluded the spoken word in their discussion of the flow of ideas. &nbsp;In doing so, these <SBR/>groups and others holding similar views have become what the late Bower Aly called &quot;the <SBR/>natural enemies of rhetoric&quot;. &nbsp;For together they have adhered to a policy of truncation by <SBR/>cutting off important elements, then <FONT COLOR="#CC0000"><B><I>picking and choosing only those aspects of rhetoric <SBR/>that may serve their immediate purpose or promote long range biases.</I></B></FONT> &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B>Myth Four: &nbsp;</B>The separatists are not alone in their adherence to a myth regarding the meaning <SBR/>of rhetoric. &nbsp;They are joined by their counterparts, the expansionists, who have enlarged the <SBR/>scope of rhetoric to such a point that all types of communication fall within its range. &nbsp;The <SBR/>following list of appendages is typical:</FONT></P> E    @ D E 	"    W0S            (  PG 6 D  @:Ol~ 	   ? 2            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">1. Literary or dramatic productions without an identifiable purpose.</FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">2. Painting, art, architecture.</FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">3. Color and form.</FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">4. Confrontation with its metaphor, the closed fist.</FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">5. Subliminal non-verbal patterns.</FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">6. Reflective thought.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">That all of these activities are communication forms that may in varying degrees lead to a <SBR/>persuasive effect there can be little doubt. &nbsp;But when appended to rhetoric they give to this field <SBR/>of study a scope so broad and general that it lacks the utility to be relevant.10</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B>SO WHAT IS RHETORIC THEN?</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Rhetoric, is first of all, a humane discipline grounded in choice and designed primarily to <SBR/>persuade....... &nbsp;it is one great <FONT COLOR="#339966"><B>art</B></FONT> comprised of five lesser arts. &nbsp;This five fold division included <SBR/><I>inventio </I>(the investigative function<I>), dispositio (</I>the disposing and adapting of materials<I>); <SBR/>elocutio ((</I>the use of language control<I>); memoria </I>(recalling the discovered materials)<I>; and</I></FONT></P> E  !%@ @ D E 	"    W0S            (  PG 7 D  @:Ol~ 	   ?y 2            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><I>pronunciatio (</I>delivering the message)<I>. &nbsp;.... </I>But it is not enough to say that the purpose of <SBR/>rhetoric is to influence choice on subjects where contention exists, or that rhetoric is the <SBR/>combination of five canons interacting with each other in a particular situation. &nbsp;Not to be <SBR/>overlooked in our quest for a satisfactory definition of rhetoric is the equally compelling fact that <SBR/>a rhetoric grounded in choice carries with it a strong ethical dimension.&quot; 11 pg 4 <I>&nbsp;</I></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">In the 18th and 19th century period the major rhetoricians such as Hugh Blair, George <SBR/>Campbell, and Richard Whately criticized sophistical evasion and the deliberate use of <SBR/>obscurity to conceal thoughts. &nbsp;Moreover, they condemned all trickery in speechmaking, and <SBR/>gave primacy to a speaker&apos;s character. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">In addtional to emphasizing persuasion that permits choice and derives its strength from ethics, <SBR/>rhetoric is, secondly, a dynamic, developing process which is culture bound and <SBR/>multidisciplinary in natur<I>e. &nbsp;</I>...Contemporary rhetoric is ...sociological in its thrust because of its <SBR/>concern with meaning, communication breakdown, and interpersonal relations. &nbsp;... &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Genuine rhetoric (today) occurs when a communicator presents an informative or suasory </FONT></P> E  !%@ @ D E 	$    _@` 0S            (  PG  8 D  @:Ol~ 	s   ?
 2            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">ethical verbal (written or oral) or non-verbal message specifically designed to create a <SBR/>persuasive effect in an audience comprised of readers or listeners who have a choice or <SBR/>perceived choice and the power to modify the exigencies upon which the discourse is <SBR/>contructed. &nbsp;&nbsp;... Vital functions of rhetoric live in philosophy ( the study of how we know what we <SBR/>know), anthropology (the study of man&apos;s physical, mental characteristics and customs and <SBR/>social relationships)... political science (attempts to marshall the elements of rhetoric in order to <SBR/>acheive the goal of educating and elevating their countrymen in moments of crisis), and most <SBR/>strongly in the social sciences (that seek to modify attitude, appeal to authority, and order facts <SBR/>in accordance with values).&quot; pg 6. &nbsp;<I>&nbsp;</I></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">As we read up on these Western Thinkers, we hope to recapture some of the vim and vigor <SBR/>needed to propel us back into the scene where our words make a difference, and our politics <SBR/>become personal ways to learn to deal with our power issues collectively and responsibly. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">If you are an American, or are affected by Americans, please take some time and review these <SBR/>&quot;In a Nutshell&quot; previews of the works of these people. <FONT FACE="_sans">&nbsp;&nbsp;&nbsp;</FONT></FONT></P> E  !%@ @ A D E 	$    _@` 0S            (  PG  9 A  @:Ol~ 	   ?
̀2            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">We must own the power we are asserting in the world and take responsibility for the aggression <SBR/>of some of our current leaders. &nbsp;We must learn to work the political machinery that is put in <SBR/>place for us so that our liberties and freedoms and the safety of others in the world is protected</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Listen for the ethics, logic and passion in the speakers we listen to, and learn to analyze their <SBR/>intentions and their motives in a consciously informed filtering process given us by these, and <SBR/>other like-minded, speakers. &nbsp;Filter them with some knowledge about what has come before so <SBR/>that you are not subject to dumbed down recycled trash. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Do not allow stunted rhetoric to persuade you in your life&apos;s choices. &nbsp;If an opinion or point of <SBR/>view does not include goodwill toward fellow members of the world, dish it. &nbsp;&nbsp;It is not on the <SBR/>healing track... </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">and believe me, baby.... </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">we need some serious healing around the way we use our words.</FONT></P> B  !%@ @ > A B F 

   socrates > R D 	$    _@` 0S            (  PG  1 A  @:Ok~ 	   Ο	| 2               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Socrates is the father of many things, but the thing we are most concerned about here is his <SBR/>concept of truth, and how this revelation that he had about truth made such a significant difference <SBR/>for Western Civilization. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">In a nutshell, Socrates introduced the concept of truth and what he said was that truth was <SBR/>discovered in an inner (intrapersonal) dialectic one had with him or her self and one&apos;s God or <SBR/>Goddess of the day. &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Now in those days, there were many Gods and Goddesses to choose from if you had an issue to <SBR/>resolve, or to pray to for support. &nbsp;&nbsp;If one was falling in love they would pray to Aphrodite, if going <SBR/>sailing to Poseidon, if contemplating world affairs to Zeus, marriage to Hera, motherhood to <SBR/>Demeter, etc. &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Socrates declared that truth is discovered in the sharing of this intrapersonal information with <SBR/>another. &nbsp;One&apos;s subjective reality, generated by this kind of truth-telling, is validated &nbsp;when <SBR/>witnessed by the Other. &nbsp;&nbsp;</FONT></P> B    k    p*v	p 	" 3f3 	5fTɚ[@ 8h8833  a|&Kxbaŵ+,kVLT՗dKx/dHp C  5Ŭ@ > A B > Z 0 	$    _@` 0S            (  PG  2 A  @:Ok~ 	m    2               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">So how this works is: in the process of sharing truths:</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">I throw out on the table what I discovered in my dialectic with my inner concept of what is good <SBR/>and what is not and how I am going to be in the world, for this day, given the myriad of things I <SBR/>might have learned the day before, and you throw out yours. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">I take from yours what resonates for me, and you take from mine what resonates for you, and out <SBR/>of that kind of sharing, a relationship is born. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">These relationships make up the network of a society. &nbsp;&nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">However.... Socrates got an ultimatum from the Aristocracy: take that back or die in the morning.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Socrates was a brave man, and a man with integrity. &nbsp;Rather than rescind his statement, he chose <SBR/>to drink hemlock in the morning. &nbsp;&nbsp;He marked his fame by that action, and opened our doors. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">more to come......</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="10" COLOR="#000000"> </FONT></P> B   @ > A > R D 	$    _@` 0S            (  PG  3 A  @:Ok~ @ > A 	$    _@` 0S            (  PG  4 >  @:Ok~ @ > 	$    _@` 0S            (  PG  5 >  @:Ol~ @ > 	$    _@` 0S            (  PG  6 >  @:Ol~ @ > 	$    _@` 0S            (  PG  7 >  @:Ol~ @ > 	$    _@` 0S            (  PG  8 >  @:Ol~ @ > 	$    _@` 0S            (  PG  9 >  @:Ol~ @ > 	$    _F` 0S            (  PG 10 >  @:Ol~ @ > B 
   plato > R D 	"    W0S            (  PG 1 A  @:Ol~ 	o   
 2               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Plato was a student of Socrates, and though he generated the idea of Classical Hierarchies, he did <SBR/>save the concept of truth.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Plato saved the concept of truth by suggesting to the aristocracy that it was possible that everyone <SBR/>does, in fact, have a truth, but each truth is confined to a particular hierarchy of means.... </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">So, together they invented this idea of class structures, where suddenly slaves, gladiators, <SBR/>dancers, merchants, soldiers, chambermaids, noblemen and noblewomen, &nbsp;prophets and <SBR/>philosopher kings could be recognized as human beings who have a truth, and as a result, a <SBR/>meaningful life, at least at their level of existence. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">The aristocracy cottoned to this idea! &nbsp;&nbsp;They suddenly could use and be amused! &nbsp;They could <SBR/>experience something other than guilt or insensitivity to the likes of others they obviously used for <SBR/>their own purposes, and could even consider endowments! &nbsp;As long as each of these particular <SBR/>classes knew their place and didn&apos;t try to take over with their notions of &quot;truth&quot; as being some kind <SBR/>of universal.... well. &nbsp;It could be fun, after all! </FONT></P><P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000">&nbsp;</FONT></P> B    e    p* v	p 	" 3f3 	5fTɚ[@ 8h8833  a|&Kxbaŵ+,kVLTU"KxB C  @ > A B > Z 0 	"    W0S            (  PG 2 A  @:Ol~ 	   ?2               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">So, where the Artful Aristocracy said no to Socrates, they evolved to a yes for Plato. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Thus were born the classical hierarchies of mankind that we so rampantly deny in some circles, <SBR/>and so struggle against in others.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">But we got our TRUTH&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">more to come.... </FONT></P> B    @ > A 	"    W0S            (  PG 3 >  @:Ol~ @ > 	"    W0S            (  PG 4 >  @:Ol~ @ > 	"    W0S            (  PG 5 >  @:Ol~  @ > 	"    W0S            (  PG 6 >  @:Ol~! @ > 	"    W0S            (  PG 7 >  @:Ol~" @ > 	"    W0S            (  PG 8 >  @:Ol~# @ > 	"    W0S            (  PG 9 >  @:Ol~$ @ > 	$    _F` 0S            (  PG 10 >  @:Ol~% @ > B C 
   aristotle A R D& 	"    W0S            (  PG 1 D  @:Ol~& 	   ?>2               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Aristotle was a student of Plato and he discovered that the class structure created by Plato&apos;s <SBR/>generation could not suppress the desire or the ability of all people to tell their truth publicly and to <SBR/>rally around their own issues. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">There was no way for the audience to discern the common folk from the philosopher at the podium, <SBR/>once the people caught onto the power of speaking willfully and passionately. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">He grew anxious at the public forums, where the podium could be occupied by literally anyone who <SBR/>had the courage and wit to don a toga and wag their tongue! </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">So Aristotle went back to the drawing board and came up with the three offices of truth, or proofs of <SBR/>truth which he labeled ETHICS, LOGIC, and PASSION. &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">With these tools in hand, he felt the public could discern when a speaker&apos;s message spoke for the <SBR/>good of mankind, or was self-serving. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Speaker centered rhetoric came to be influential and persuasive only when the speaker embodied <SBR/>these three proofs of truth. &nbsp;Speakers who neglected these principles were deemed fools, and the <SBR/>audience were merely amused. &nbsp;</FONT></P> E   & m    p* v	p 	" 3f3 	5fTɚ[@ 8h8833  a|&Kxbaŵ+,kVLTx*/dz3Ņ F  5Ŭ@ D E > Z 0' 	"    W0S            (  PG 2 D  @:Ol~' 		   _62               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">They say in today&apos;s times, public speaking is one of the most fearful things a person can do, and <SBR/>very few people venture forth. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">We at noodlebrain say it is because people are lacking these tools. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">With these three proofs of truth, if we can ground our speaking in them, we have incredible power <SBR/>and provide a strong place to stand. &nbsp;They are extremely persuasive in any kind of argument, and <SBR/>provide a trust that has long been absent from the public interest. &nbsp;&nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">These tools have been missing from our educational system and our legal system for quite some <SBR/>time and we want them back. So we are teaching them here. &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Let&apos;s create events and practice, practice, practice! &nbsp;&nbsp;It&apos;s fun and oh so enlightening! </FONT></P><P ALIGN="LEFT"></P> E  Ě ' @ D E 	!    W{0S            (  PG3 D  @:Ol~( 	B   ˟21               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B>The first office of truth:</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B>ETHICS</B>: &nbsp;Ethics is made up of three components according to Aristotle. &nbsp;</FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;They are <B><I>Character, Intelligence and Goodwill.</I></B> </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099"><B>First Component of Ethics: CHARACTER</B><FONT COLOR="#000000"><B> &nbsp;&nbsp;</B></FONT></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099"><B>Generating a character, or discovering our character, is what makes each of us distinctly &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<SBR/>different from everyone else and everyone else knows there simply is no one else like us. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<SBR/>It takes a lot of courage, freedom, and a sense of responsibility to bring forth our own &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<SBR/>character, especially in an economy that demands that we be flies on a wall, that we be &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<SBR/>seen and not heard, that we know our places, that we withhold our points of view lest we &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<SBR/>be squashed. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099"><B>Yep. &nbsp;It is really hard, but human nature will not be reduced to a thing without animal nature <SBR/>showing up. &nbsp;So we might as well avoid all the nasty violence that occurs when we <SBR/>suppress ourselves. &nbsp;Character work means getting our integrity back to a place of power <SBR/>where we can discover, invent, or rediscover or reinvent the character that is distinctly us, <SBR/>and be very pleased about that!</B></FONT></P> E   ( @ D E 	"    W0S            (  PG 4 D  @:Ol~) 	<   
 21  3f3          <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#336633"><B>The second component of Ethics: INTELLIGENCE</B><FONT COLOR="#000000"><B> </B></FONT></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#336633"><B>Intelligence means we have the ability to communicate that character in such a way that &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<SBR/>others know we are distinctly different from anyone else. </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#336633"><B>We know our intelligence shows up when our characters express what is meaningful for <SBR/>us responsibly and command attention and respect from our listeners. &nbsp;Intelligence is <SBR/>impressive because not too many people are willing to put their ass on the line and <SBR/>expose their well thought out point of views. &nbsp;A person of character cannot repress. &nbsp;A <SBR/>person of character has to be heard, but no one will listen to babble... so intelligence is a <SBR/>second qualifying component of ethics. &nbsp;When a person has character and intelligence, <SBR/>their words tend to be compelling..</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000"><B><I>but wait... you must have the third component of ethics to be ethical.</I></B><B> </B>&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">next page please..... &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">&nbsp;&nbsp;&nbsp;&nbsp;</FONT></P> E   ) @ D E 	"    W0S            (  PG 5 D  @:Ol~* 	4   ~
U 21             <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>The third component of Ethics, without which there can be no ethics: GOODWILL &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>Goodwill gives permission to use our character and intelligence in persuasive ways <SBR/>that can be trusted by the self and by others. &nbsp;&nbsp;The practice of Goodwill means that we <SBR/>will always will good for others and will never ill-will against anyone. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>This is the third and final component of Ethics. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>Character and Intelligence without Goodwill is highly dangerous, because they are <SBR/>powerful and often extremely persuasive standing side by side. </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>This is because we human beings are drawn to power, and will experience it <SBR/>vicariously through others if we have no character of our own yet developed. So, when <SBR/>an unethical person demonstrates &nbsp;the power to stand out and be different, and we are <SBR/>unaware of the goodwill component of ethics, we can be unduly influenced and find <SBR/>ourselves trapped in lower states of integrity &nbsp;where we unknowingly practice <SBR/>disloyalty to ourselves and others. &nbsp;</B></FONT></P> E   * @ D E 	"    W0S            (  PG 6 D  @:Ol~+ 	   ˟>2               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">By virtue of the definition of the First Office of Truth known as Ethics, we can easily see that there <SBR/>are industries, which we are calling Machiavellian, that are unethical because they do ill will against <SBR/>others. &nbsp;Those industries need to be closed. &nbsp;Specifically we are calling for the dismantling of all <SBR/>corporations that build weapons of destruction, and all organizations that train people in the use of <SBR/>weapons. &nbsp;We have the rules of commerce, the rules of negotiating conflict, &nbsp;the use of sanctions, <SBR/>and the use of ethics all built upon language to guide us in the fundamental leadership roles which <SBR/>will guarantee peaceful resolutions to the problems of humanity.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">We are an evolved species whose intelligence and character and natural proneness to goodwill <SBR/>has been severely undermined by strategies and tactics to embroil us with the predictable behavior <SBR/>of crabs in a crab pot if we continue to allow this insanity. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Everyone wants a good life. &nbsp;No one wakes up wanting to kill others.... unless they have been <SBR/>programmed to do so, or their lives have become so torn apart by anger and hatred with no <SBR/>recourse for stability and sanity that survival issues may bring about the necessary rage to kill. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">This is the fault of a country&apos;s economy and its media. &nbsp;These can easily be repaired with the <SBR/>political and philosophical will to do so. &nbsp;But it can only happen when individuals make that choice <SBR/>for themselves and act collectively. &nbsp;</FONT></P> E   + @ D E 	"    W0S            (  PG 7 D  @:Ol~, 	   Q
U 21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><B>The Second Office of Truth is LOGIC or LOGOS</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><B>Logic is defined by Aristotle as the ability to demonstrate or refute a claim.</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><B>In today&apos;s world the only professionals who are committed to demonstrate or refute <SBR/>claims are sales people and lawyers. &nbsp;They are paid to assert themselves this way, <SBR/>and those assertions are subject to the success or failure of their use of language.</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><B>To use logic and to intend to persuade, is to take a stand for or against something. &nbsp;&nbsp;<SBR/>At an unprofessional level, the ability to argue, debate, reason, or enlighten requires <SBR/>that one have some facility with language. &nbsp;Arbitrators, mediators, and Moms must <SBR/>use logical persuasion if they want to resolve conflicts that are value centered for <SBR/>the participants of an argument. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><B>In the arena of employer-employee, management may or may not use logical <SBR/>arguments to win the opinion and commitment of the employee, because the <SBR/>employee is not allowed to argue back. &nbsp;&nbsp;Oftentimes, illogical arguments, or </B></FONT></P> E  !E, @ D E 	"    W0S            (  PG 8 D  @:Ol~- 	   QR21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><B>directives are acted upon without much thought or care to the consequences of <SBR/>such actions. &nbsp;&nbsp;&nbsp;Human beings are trained that a thing cannot be true or false at the <SBR/>same time, and when confronted with such conditions that force </B><FONT COLOR="#339966"><B>catch 22</B></FONT><B> decision <SBR/>making, people lose grip with logical reality and go &quot;postal&quot;. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><B>When we are trained in critical thinking skills, we learn how to argue logically. &nbsp;&nbsp;We <SBR/>develop an inner knowledge of our own demands and preferences for the way we <SBR/>want our lives and our contributions to the world of work or the world of family or <SBR/>the social world to be so that our lives have meaning. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><B>We don&apos;t know we have generated meaning until we locate, discover, open to the <SBR/>third office of truth where meaning gets generated: &nbsp;</B><FONT COLOR="#FF0000"><B>The Office of Passion.</B></FONT></FONT></P> E  !E- @ D E 	"    W0S            (  PG 9 D  @:Ol~. 	   y	 21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>The third Office of Truth is Passion or Pathos</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>The ability to arouse or allay the emotions of an audience is the Third Office of Truth <SBR/>known as Passion and this Office of Truth is where meaning is generated on a <SBR/>subjective level. &nbsp;Without knowledge of how we feel about things, we have no truth to <SBR/>call our own, and we are rendered emotionally unstable. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>What poses for authenticity are imitational reproductions of learned behavioral <SBR/>modifications modeled by our parents, teachers, and the programming we tune into to <SBR/>learn about our world. &nbsp;&nbsp;Without some knowledge and power over what excites and <SBR/>calms us we are at the effect of advertising, scams, and emotional triggers that send <SBR/>us into denial or unconsciousness because we do not have the tools to cope with our <SBR/>emotional meaning making centers where our passions live. </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>We urge people to find out what makes them tick and to withdraw the influence of <SBR/>others until we have our emotional worlds centered and intact. &nbsp;Otherwise we are </B></FONT></P> E  . @ A D E 	$    _F` 0S            (  PG 10 A  @:Ol~/ 	   y 21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>thrown about by trends, religious zealots, political rhetoricians, and cannot locate our <SBR/>own center. &nbsp;&nbsp;GO to the module called &quot;Being at the Effect&quot; to learn to build up to the <SBR/>point of owning your own feelings and generating your own truth so that we can each <SBR/>be responsible for what makes us feel good, and what doesn&apos;t and then have some <SBR/>power around our political agendas, our TV world, and how we use our labor to buy <SBR/>and sell goods that are good for us instead of defaulting to what is delivered to us by <SBR/>industries that really don&apos;t give a damn about the condition of you, your family, or your <SBR/>world.</B></FONT></P> B  / @ > A B 

   campbell A R D0 	"    W0S            (  PG 1 D  @:Ol~0 	   ˟
U 21  33          <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>&quot;George Campbell , a Scottish Presbyterian minister and educator, wrote in what is called <SBR/>the &quot;Epistomological&quot; school of thought. &nbsp;He published his </B><B><I>Philosophy of Rhetoric</I></B><B> in 1776, <SBR/>which is considered one among the greatest books on communication theory written in the <SBR/>modern era. &nbsp;He brought together the best knowledge available to eighteenth century <SBR/>scholars.&quot; (pg 148). &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>&quot;Underlying Campbell&apos;s philosopy was the idea that rhetoric is a dynamic, developing <SBR/>process. &nbsp;He most earnestly wished to incorporate into his inventional theory not only <SBR/>relevant classical precepts, but the principal findings of the social and behavior sciences <SBR/>and select experiemental evidence from the natural sciences.&quot; ibid</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>&quot;Included in this most original contribution to rhetorical thought are basic elements of <SBR/>faculty psychology, the laws of association, sympathy, moral reasoning, and what the Scots <SBR/>called &quot;common sense&quot;. &nbsp;The writings of Bacon, Locke, and Hume, reinforced by his own <SBR/>observations and experience, taught him that the mind is separated into faculties. &nbsp;To <SBR/>Locke&apos;s categories of understanding and will, he added imagination and the passions. &nbsp;<SBR/>These were to be viewed not so much as discrete elements but as a hierarchy, ranging from</B><FONT FACE="_sans"><B> </B></FONT></FONT></P> E   0 }    p-v	x 
" 3f3 	4LhxLhTLhp X8h8Ԝ33 # X X|ȇxx Xp^xȇԜ XD˘x X4XX F  @ D E > Z 01 	"    W0S            (  PG 2 D  @:Ol~1 	u   	21  33          <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>the elementary faculty of the understanding to the more complex faculty of the will. <SBR/>Persuasion, therefore, is the final result of a four step process that starts with instruction, <SBR/>and proceeds through the imagination and passions until it motivates the will. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>Campbell explains these relationships in the following way:</B><FONT COLOR="#C0C0C0">&quot;<FONT COLOR="#3333CC"><B> In order to evince the truth <SBR/>considered by itself, conclusive arguments alone are requisite; but in order to convince me <SBR/>by these arguments, it is moreover requisite that they be understood, that they be attended <SBR/>to, that they be remembered by me; and in order to persuade me by them to any particular <SBR/>action or conduct, it is further requisite, that by interesting me in the subject, they may, as <SBR/>it were, be felt. &nbsp;&nbsp;</B></FONT></FONT></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>It is not therefore the understanding alone that is here concerned. &nbsp;If the orator would <SBR/>prove successful, it is necessary that he engage in his service all these different powers of <SBR/>the mind, the imagination, the memory, and the passions. &nbsp;There are not the supplanters of <SBR/>reason, or even rivals in her sway; they are her handmaids, by whose ministry she is <SBR/>enabled to usher truth into the heart, and procure it there a favourable reception. </B></FONT></P> E  1 @ D E 	"    W0S            (  PG 3 D  @:Ol~2 	\   ?
U 21  33          <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>.... appeals to understanding, he suggested, consist of explanation and proof. &nbsp;The <SBR/>communicator may have as his purpose to clarify an unknown doctrine or a complex idea. &nbsp;<SBR/>When a listener approaches a rhetorical situation with an attitude of disbelief or doubt <SBR/>concerning a thesis, the speaker is constrained to use argument in such a way that <SBR/>conviction is acheived.</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>.... imagination is &quot;that faculty of mind, whereby it is capable of conceiving and combining <SBR/>things together, which in that combination have neither been perceived by the senses, nor <SBR/>are remembered.... It follows therefore, that such communication forms as fables, &nbsp;<SBR/>parables, allegories, and poetry are addressed to the imagination; and that part of the <SBR/>discourse most suitable to this appeal is narration.</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>The stimulation of passions grows naturally out of the descriptions directed to the &nbsp;<SBR/>imagination. &nbsp;Through an association of images, Campbell observed, the emotions are <SBR/>stirred. &nbsp;These lively associations hurry the audience along into feelings of &quot;love, pity, <SBR/>grief, terror, aversion or desire. &nbsp;Campbell added that the emotions experienced by the <SBR/>auditor are especially strong when they are seen operating in the speaker. &nbsp;</B></FONT></P> E   2 @ D E 	"    W0S            (  PG 4 D  @:Ol~3 	   _쀭21  33          <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>The best means for influencing the will, which Campbell called the most difficult task <SBR/>facing a communicator, is to combine in an artful manner strong arguments designed to <SBR/>convince the judgement and graphic emotional appeals related to the passions. &nbsp;In <SBR/>holding that conviction operates on the understanding and persuasion on the will and <SBR/>resolution, Campbell supported the notion that a conviction-persuasion duality exists. &nbsp;<SBR/>Such a dichotomy not only was endorsed by Blair but by rhetoricians for generations to <SBR/>come.&quot; (pg 149)</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3333CC"><B>The significance of Campbell&apos;s belief in the faculties may be seen in his definition of <SBR/>eloquence as &quot;that art or talent by which the discourse is adapted to its end.&quot; &nbsp;In this <SBR/>system, the listener, rather than the occasion or the speaker, becomes the starting point <SBR/>in the construction of a message. &quot; pg 149</B></FONT></P><P ALIGN="LEFT"></P> E  Į3 @ A D E 	"    W0S            (  PG 5 A  @:Ol~4 	:   >2               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">The chapter goes on and on but what is significant for us to know is that all human beings regardless <SBR/>of class, educational levels, or social position have in common four psychological faculties: &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">1. the ability to be instructed</FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">2. the ability to have their imaginations aroused</FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">3. the ability to have their passions moved, </FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">4. the ability to have their wills be changed. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Speaker Centered Rhetoric, where the speaker was on the hot plate to fulfill on the three offices of <SBR/>truth, now shifted to &quot;Audience Centered Rhetoric&quot;, where the goals were to guide the audience to a <SBR/>specific point, by objective. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">This new information gave way to the ability of people in power to influence masses, via a variety of <SBR/>forms: education, regulation, social stigma, and advertising. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">This shift in persuasive rhetoric laid the groundwork for the industrial revolution, motivating people by <SBR/>the masses, a practice today that people do for themselves when they turn on their TV. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">more to come...... this guy was a very smart guy! </FONT></P> B  4 @ A B A R D5 	"    W0S            (  PG 6 D  @:Ol~5 @ > D 	"    W0S            (  PG 7 D  @:Ol~6 @ D 	"    W0S            (  PG 8 D  @:Ol~7 @ D 	"    W0S            (  PG 9 D  @:Ol~8 @ D F 	%    _M?` 0S            (  PG  10 D  @:Ol~9 E  5Ŭ@ D E 
   burke 	$    _@` 0S            (  PG  1 D  @:Ol~: 	    21          (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>&quot;By common consent Kenneth Burke ranks as the foremost rhetorician in the twentieth <SBR/>century. &nbsp;... The legacy Burke has left to communication theory and literary criticism is <SBR/>remarkable in its conception and execution. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>Here are but a few of the terms he has used which are now an essential part of the <SBR/>rhetoric of Western thought: (1) dramatism; (2) pentad (act, agency, agent, scene, and <SBR/>purpose); (3) identification; (4) consubstantiality (of the same substance, from the same <SBR/>background); (5) motives; and (6) magic. &nbsp;As a model of criticism the &quot;pentad&quot; had <SBR/>perhaps surpassed neo-Aristotelianism as a type of methodology to examine rhetorical <SBR/>transactions in the 1970&apos;s. &nbsp;And the term &quot;identification&quot; has enhanced our <SBR/>understanding of ethical proof, rhetorical stance, and audience analysis and adaptation. &nbsp;<SBR/>But it is the concept of &quot;motives&quot; which most appropriately explains Burke&apos;s principal <SBR/>contribution to the vocabulary of what might be called a &quot;new rhetoric&quot;. </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>In its most common use, a motive today is frequently labeled as the </B><B><I>cause</I></B><B> of an action. &nbsp;<SBR/>Thus, one&apos;s motive for attending college may perhaps be the belief that a college <SBR/>diploma will guarantee a good job in the future. &nbsp;Burke does not ascribe this meaning t</B><FONT FACE="_sans"><B>o </B></FONT></FONT></P> E  : t    p,v	p 	" 3f3 	5fTɚ[@ 8h8833 ! a|&Kxbaŵ+,kVLT%Xܱ/╈z+1<V. F  5Ŭ@ D E > Z 0; 	$    _@` 0S            (  PG  2 D  @:Ol~; 	   21          (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>&quot;motive&quot;, however. &nbsp;Rather he uses &quot;motive&quot; as a label for </B><B><I>completed action</I></B><B>. &quot;From this</B></FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B> viewpoint,&quot; Leonard Hawes tells us, &quot;language frequently is used to label behavior after </B></FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>it has been enacted. &nbsp;Language fits and adjusts behavior to a symbolically created world.&quot;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>More than most of his contemporaries, Burke best personifies the sociological thrust that <SBR/>typifies modern rhetoric. &nbsp;In his two volumes, </B><B><I>The Grammar of Motives</I></B><B> and </B><B><I>The Rhetoric <SBR/>of Motives</I></B><B>, he employs the phrase &quot;human relations&quot; at least twelve times. &nbsp;This accounts <SBR/>for his great concern with the problem of division or estrangement that separates men. &quot; <SBR/>pg 312</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>According to Burke, &quot;Rhetoric [comprises] both the use of persuasive resources <SBR/>(</B><B><I>rhetorica utens</I></B><B>, as with the Phillipics of Demosthenes) and the </B><B><I>study</I></B><B> of them (</B><B><I>rhetorica <SBR/>docens</I></B><B>, as with Aristotle&apos;s treatise on the &apos;art&apos; of Rhetoric).&quot; &nbsp;The &quot;basic function of <SBR/>rhetoric&quot; is the &quot;use of words by human agents to form attitudes or to induce actions in <SBR/>other human agents...&quot; &nbsp;It is &quot;</B><B><I>rooted in an essential function of language itself, a function <SBR/>that is wholly realistic, and is continually born anew; the use of language as a symbolic </I></B></FONT></P> E  E; @ D E 	$    _@` 0S            (  PG  3 D  @:Ol~< 	W   2}          (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B><I>mean of inducing cooperation in beings that by nature respond to symbols.&quot;</I></B><B> pg 314</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>The basis of rhetoric lies in &quot;generic divisiveness which, being common to all men, is a <SBR/>universal fact about them, prior to any divisiveness caused by social classes. &nbsp;Out of this <SBR/>emerge the motives for linguistic persuasion. &nbsp;Then, secondarily, we get the motives <SBR/>peculiar to particular economic situations. &nbsp;In parturition begins the centrality of the <SBR/>nervous system. &nbsp;The different nervous systems, through language and the ways of <SBR/>production, erect various communities of interests and in-sights, social communities <SBR/>varying in nature and scope. &nbsp;And out of the division and the community arises the <SBR/>&apos;universal&apos; rhetoric situation.&quot; </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>Burke devotes 131 pages to a discussion of traditional principles of rhetoric, reviewing <SBR/>Aristotle, Cicero, Quintilian, St. Augustine, the Mediaevalists, an such more recent writers <SBR/>as De Quincey, De Gourmont, Bentham, Marx, Veblen, Freud, Mannheim, Mead, Richards , <SBR/>and others, noting the &quot;wide range of meanings already associated with rhetoric, in <SBR/>ancient texts...&quot; &nbsp;Thus he comes upon the concept of rhetoric as &quot;persuasion&quot;; the nature </B></FONT></P> E  E< @ D E 	$    _@` 0S            (  PG  4 D  @:Ol~= 	   21          (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>of rhetoric as &quot;addressed&quot; to an audience for a particular purpose; rhetoric as the art of <SBR/>&quot;proving opposites&quot;; rhetoric as an &quot;appeal to emotions and prejudices&quot;; rhetoric as</B><FONT FACE="_sans"><B> <SBR/></B></FONT><B>&quot;agonistic&quot;; as an art of gaining &quot;advantage&quot;; rhetoric as &quot;demonstration&quot;; rhetoric as the <SBR/>verbal &quot;counterpart&quot; of dialectic; rhetoric, in the Stoic usage, as opposed to dialectic; <SBR/>rhetoric in the Marxist sense of persuasion &quot;grounded in dialectic&quot; whereas he finds that <SBR/>these meanings are &quot;often not consistent with one another or even flatly at odds&quot; he <SBR/>believes that they can all be derived from &quot;persuasion&quot; as the &quot;Edenci&quot; term, from which <SBR/>they have all &quot;Babylonically&quot; split, while persuasion, in turn &quot;involves communication by <SBR/>the signs of consubstantiality, the appeal of </B><B><I>identification</I></B><B>.&quot; &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>As the &quot;simplest case of persuasion&quot; Burke notes that &quot;You persuade a man only insofar <SBR/>as you can talk his language by speech, gesture, tonality, order, image, attitude, idea, <SBR/></B><B><I>identifying</I></B><B> your ways with his.&quot; &nbsp;pg 315</B></FONT></P> E  E= @ A D E 	$    _@` 0S            (  PG  5 A  @:Ol~> 	H   21          (  <P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>... put identification and division ambiguously together and you have the characteristic <SBR/>invitation to rhetoric.... Here is a major reason why rhetoric, according to Aristotle, <SBR/>&apos;proves opposites&apos;. &nbsp;pg 316.</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#990099"><B>to be continued..... &nbsp;Burke&apos;s analysis of Hitler&apos;s rhetoric....... </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P> B  E> @ > A B 	$    _@` 0S            (  PG  6 >  @:Ol~? @ > 	"    W0S            (  PG 7 >  @:Ol~@ @ > 	"    W0S            (  PG 8 >  @:Ol~A @ > 	!    W{0S            (  PG9 >  @:Ol~B @ > 	$    _F` 0S            (  PG 10 >  @:Ol~C @ > 
	   blanton A R DD 	"    W0S            (  PG 1 D  @:Ol~D 	   
 21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;RADICAL HONESTY: How to Transform your Life by Telling the Truth&quot;. &nbsp;Brad A Blanton, <SBR/>Ph.D. A Dell Trade Paperback, 1996. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">We are reprinting excerpts of Dr. Blanton&apos;s book here to bring home the importance of telling the <SBR/>truth in our lives. &nbsp;We feel that we have lost touch with the power of truth, and have adapted <SBR/>current Machiavellian modes of pretense and artifice to get by. &nbsp;&nbsp;We are sharing Blanton&apos;s work to <SBR/>turn on to the fact that we are not alone in our misery when we lie. &nbsp;&nbsp;It behooves all of us to learn to <SBR/>tell the truth because it impacts our lives adversely when we do not.</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;We all lie like hell. &nbsp;It wears us out. &nbsp;It is the major source of all human stress. &nbsp;Lying kills <SBR/>people. &nbsp;..... The kind of lying that is most deadly is withholding, or keeping back <SBR/>information from someone we think would be affected by it. &nbsp;Psychological illness of the <SBR/>severest kind is the result of this kind of lying. &nbsp;&nbsp;Psychological healing is possible only with <SBR/>the freedom that comes from not hiding anymore. &nbsp;Keeping secrets and hiding from other <SBR/>people is a trap. &nbsp;Adolescents spend most of their time playing this hide-and-seek game. &nbsp;<SBR/>The better you are at getting by with playing hide-and-seek during adolescence, the harder</B><FONT COLOR="#000000"> &nbsp;<FONT FACE="_sans" SIZE="10">&nbsp;&nbsp;</FONT></FONT></FONT></P><P ALIGN="LEFT"></P> E   D @ D E > Z 0E 	"    W0S            (  PG 2 D  @:Ol~E 	   _
 21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>it is to grow up. &nbsp;&quot;Important&quot; secrets and all the plotting and cogitation that go with them <SBR/>are all bullshit.&quot; pp xxv-xxvi.</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">If Blanton is telling the truth, then we have a good reason for giving up the lies that we tell in life. &nbsp;<SBR/>Having learned the Three Offices or Proofs of Truth is key...we can recognize when truth exists, <SBR/>and trust ourselves and eventually Others. &nbsp;&nbsp;When we trust ourselves, we can produce results that <SBR/>make a difference to Others. &nbsp;This difference we make brings substance and confidence to our self <SBR/>concepts, and generates self esteem. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;People say modern life is stressful. &nbsp;Stress is not a characteristic of life or time, but of <SBR/>people. &nbsp;Stress does not come from the environment, it comes from the mind of the <SBR/>individual under stress. &nbsp;We make certain assumptions about the world, and we become <SBR/>attached to those assumptions. &nbsp;We suffer from thinking. &nbsp;We worked too hard to learn our <SBR/>ideas about the world to give them up. &nbsp;Like poker players who have already lost too much, <SBR/>we desparately double the bet in hopes of forcing fate to give us a good card. &nbsp;We think <SBR/>about things too much and too seriously and we suffer a great deal from trying to make the </B></FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>world match our thinking. &nbsp;We complain about how the world fails to live up to our &nbsp;</B></FONT></P><P ALIGN="LEFT"></P> E  E ~    p-v	p 	" 3f3 	5fTɚ[@ 8h8833 & a|&Kxbaŵ+,kVLTx"Kʦ bI{9/Pܱae+2 F  @ D E 	"    W0S            (  PG 3 D  @:Ol~F 	   _
M21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>expectations. &nbsp;We think about how life doesn&apos;t live up to its billing, and how it should, and <SBR/>how it is rotten that it doesn&apos;t, and how we should somehow fix it. &nbsp;Many people think <SBR/>themselves to death.</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;In order to survive, we have to apply what we have learned from experience. &nbsp;But it is <SBR/>equally true that in order to thrive,---- in order to stay alive--- we have to overcome <SBR/>continually what we have previously learned. &nbsp;If we don&apos;t somehow get rescued from our <SBR/>assumptions about life, they devour us. &nbsp;Rescue involves recognizing that the assumptions <SBR/>we so stubbornly cling to as truths are, in fact, decisions we have made about what &apos;should <SBR/>be true&apos; based on past experiences.&quot; </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>And if it doesn&apos;t line up properly, we think we are damaged and seek some kind of help <SBR/>from such a defeated position... or maybe we go the other way, and become arrogant or <SBR/>aggressive about being superior, and use that image to keep people at bay. &nbsp;It is much <SBR/>smoother and nicer if we all just get on the same page and tell the truth.... B. Blanton&apos;s <SBR/>&quot;Three Levels of Telling the Truth&quot;; pp 49-72</B></FONT></P><P ALIGN="LEFT"></P> E  F @ D E 	"    W0S            (  PG 4 D  @:Ol~G 	u   _
 21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;Level One: Revealing the Facts. </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;Revealing the facts is the first level of telling the truth, and is simply a matter of clearing <SBR/>up lies from the past as well as the false presentation of oneself as it is being maintained <SBR/>through withholding crucial information from others who may be affected by that <SBR/>information. </B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;Level Two: &nbsp;Honesty About Current Thoughts and Feelings</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;Honesty About Current Thoughts and Feelings is to begin to speak forth the emotional <SBR/>truth and the truth of one&apos;s judgments, and to reveal one&apos;s constantly active, secret mind. &nbsp;<SBR/>You begin the practice of admitting how you feel when you feel it, speaking your judgments <SBR/>of others out loud, and constantly revealing your own petty and condescending ways...it is <SBR/>damn hard work and never ends.</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;Honesty is the only kind of behavior that can bring about a response of trust. &nbsp;Trust is my <SBR/>response to a person that I know I can believe. &nbsp;Even if I dislike a person, I can trust him if <SBR/>he is honest with me, and I can respect his willingess to be himself honestly. &quot;</B></FONT></P> E  G @ A D E 	"    W0S            (  PG 5 A  @:Ol~H 	_   $ 21              <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;...Likewise, honesty does not always bring a response of love, but it is absolutely <SBR/>essential to it.&quot; </B></FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>(pp57).</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;Level Three: &nbsp;Exposing the Fiction</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;Imagine living out the transformations D.H. Lawrence describes! &nbsp;This is the third level of <SBR/>telling the truth: the place where telling the truth and living the truth become the same. &nbsp;<SBR/>This is the place of which the Hindus say &apos;If you speak the truth long enough, your word <SBR/>becomes universal law.&apos; &nbsp;&nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;The third level of truth occurs when you admit that who you are is not who you have been </B></FONT></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>pretending to be. &nbsp;What you have been selling other people on, and selling yourself on, is <SBR/>not who you are. &nbsp;&nbsp;You don&apos;t really know who you are. &nbsp;You confess disillusionment with <SBR/>beliefs you used to stand for, and various sales pitches you did and still do for your act. &nbsp;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>&quot;This is at first embarrassing, then for a while something to brag about, and then just a <SBR/>description of what happened to you in the course of growing up.&quot;</B></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000"><B>more to come.....</B>..</FONT></P> B  H @ A B 	"    W0S            (  PG 6 A  @:Ol~I @ A 	!    W{0S            (  PG7 A  @:Ol~J @ A 	"    W0S            (  PG 8 A  @:Ol~K @ A 	!    W{0S            (  PG9 A  @:Ol~L @ A 	$    _F` 0S            (  PG 10 D  @:Ol~M @ > @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ > Z 0l A R Dl @         6 7 8 9 : ; < > A D F W     J     .T    04      ?      04       &      -}M3m W     J     .T    04      ?      04             .r3*m W     J     .T    04      ?      04             .r3 m W     J     .T    04      ?      04       	      .rm W     J     .T    04      ?      04       	      .@m W     J     .T    04      ?      04       	      .;@m W     J     .T    04      ?      04       	      .r3G m 	y    g/
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>Introduction</B></FONT></P> 6  $S m 	~    g-
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>1. &nbsp;Socrates</B></FONT></P> 7  ; m 	{    _}?` 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>2. &nbsp;Plato</B></FONT></P> 8   m 	    g+
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>3. &nbsp;Aristotle</B></FONT></P> 9   m 	    o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>4. &nbsp;George Campbell</B></FONT></P> :  ݀m 	    o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>5. &nbsp;Gregory Bateson</B></FONT></P> ;  	J0m 	    o 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>6. &nbsp;Brad Blanton, Ph.D</B></FONT></P> <  	Jfm > # 5Ŭ@          # 6 7 8 9 : ; < = > ?    
   introduction   vhn M           .T    04      ?      04       -}M3n     .r3*n W     J     .T    04      ?      04       w      .r3 n     .rn     .@n     .;@n W     J     .T    04      ?      04       n      .r3G n  t fwn  ) ȨȠn    6# F   @:Nd`# n header 	y   g/
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>Introduction</B></FONT></P> 6 $S n 	   g>
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>1. &nbsp;&nbsp;Krishnamurti</B></FONT></P> 7 ; n 	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>2. &nbsp;</B></FONT></P> 8  n 	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>3. &nbsp;</B></FONT></P> 9  n 	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>4. &nbsp;</B></FONT></P> : ݀n 	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>5. &nbsp;</B></FONT></P> ; 	J0n 	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>6. &nbsp;</B></FONT></P> < 	Jfn 	"   W0S            (  PG 1 = @:Ol~n D U b@	  	
 2               <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">The East Indian Thinkers cited here are some of our mentors from the subcontinent of India. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">We cite from thinkers from ancient and contemporary times. &nbsp;These people wrote about their ideas, <SBR/>and points of view in the classical writings of their cultures made timeless and applicable today. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">We begin with Krishnamurti, first with a forward by way of introduction to his work by Aldous <SBR/>Huxley, and cite portions of his book published in 1954 titled &quot;The First and Last Freedom&quot;. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Here is a place to get your feet wet in culture shock material...whenever one opens to another <SBR/>point of view that is different from the predictable point of view one holds, the first response is <SBR/>defensiveness and wrong making. &nbsp;Try to observe this phenomenon in yourself and breathe deeply <SBR/>to be able to hear the voice of the writer. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Then we can open to another cultural perspective engaged in truth and meaningful dialogue about <SBR/>issues of universal importance. &nbsp;&nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Our first mentor is Krishnamurti from India. &nbsp;Please hit the button on the left with his name on it! </FONT></P> E 	T n 	$   
_|` 0            (  HOME^ F 
߼((n |   p-v	p 	" 3f3 	5fTɚ[@ 8h8833 % `I| ,&hc*I{ [RrƵd|O!, gOeSh/  G 5Ŭ@ = E = R Do @ Z 0o 	"   W0S            (  PG 2 C @:Ol~o @ C 	"   W0S            (  PG 3 C @:Ol~p @ C 	"   W0S            (  PG 4 C @:Ol~q @ C 	"   W0S            (  PG 5 C @:Ol~r @ C 	"   W0S            (  PG 6 C @:Ol~s @ C 	"   W0S            (  PG 7 C @:Ol~t @ C 	"   W0S            (  PG 8 C @:Ol~u @ = @ C 	"   W0S            (  PG 9 = @:Ol~v @ = 
   krishnamurti = R Dw 	"   W0S            (  PG 1 @ @:Ol~w 	  s
̀2            (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">The First and Last Freedom, J. Kristnamurti with a foreword by Aldous Huxley, 1954, 1975 by <SBR/>Kristnamurti Foundation Trust Limited, First Paperback edition: Harper &amp; Row 1975. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">Foreword by Aldous Huxley</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000000">to be continued....</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#FF0000">ALERT&gt;&gt;&gt;&gt;&gt;&gt; we jump ahead to Krishnamurti&apos;s dialogue on Nationalism in hopes to <SBR/>annihilate any current stupidity on the subject regarding the insane acts of our current Bush <SBR/>Administration....</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#3300CC">2. ON NATIONALISM</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099"><I>Question: &nbsp;What is it that comes when Nationalism goes?</I><FONT COLOR="#000000"><I> &nbsp;</I></FONT></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P> E Ew    p-M v	p 
" 3f3 	4LhxLhTLhp X8h8Ԝ33 % X X<ȇx XLh^ Xp^xȇ X( XPx^ȇЬxx^ G @ @ E @ Z 0x 	"   W0S            (  PG 2 C @:Ol~x 	  s 2           (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#000099"><I>Krishnamurti: &nbsp;&nbsp;</I>Obviously, intelligence. &nbsp;But I am afraid that is not the implication in this <SBR/>question. &nbsp;The implication is, what can be substituted for nationalism? &nbsp;Any subsitution is an <SBR/>act which does not bring intelligence.<I> &nbsp;</I>If I leave one religion and join another, or leave one <SBR/>political party and later on join something else, this constant substitution indicates a state in <SBR/>which there is no intelligence. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099">How does nationalism go? Only by our understanding its full implications, by examining it, by <SBR/>being aware of its significance in outward and inward action. &nbsp;Outwardly it brings about <SBR/>divisions between people, classificiations, wars and destruction, which is obvious to anyone <SBR/>who is observant. &nbsp;Inwardly, psychologically, this identification with the greater, with the <SBR/>country, with an idea, is obviously a form of self-expansion. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P> E Ex @ C E 	"   W0S            (  PG 3 C @:Ol~y 	  s2  3        (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099">Living in a little village or a big town or whatever it may be, I am nobody; but if I identify <SBR/>myself with the larger, with the country, if I call myself a Hindu, it flatters my vanity, it gives <SBR/>me gratification, prestige, a sense of well being; and that identification with the larger, which <SBR/>is a psychological necessity for those who feel that self-eapansion is essential, also creates <SBR/>conflict, strife, between people. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099">Thus nationalism not only creates outward conflict but inward frustrations; when one <SBR/>understands nationalism, the whole process of nationalism, it falls away. &nbsp;The understanding <SBR/>of nationalism come through intelligence, by carefully observing, by probing into the whole <SBR/>process of nationalism, patriotism. &nbsp;Out of that examination comes intelligence and then <SBR/>there is no more substitution of something else for nationalism.<FONT COLOR="#000000"> &nbsp;</FONT></FONT></P><P ALIGN="LEFT"></P> E Ey @ C E 	"   W0S            (  PG 4 C @:Ol~z 	  sn 2  3        (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099">The moment you substitute religion for nationalism, religion becomes another means of self-<SBR/>expansion, another source of psychological anxiety, a means of feeding oneself through a <SBR/>belief. &nbsp;Therefore any form of substitution, however noble, is a form of ignorance. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099">It is like a man substituting chewing gum or betel-nut or whatever it is for smoking, whereas if <SBR/>one really understands the whole problem of smoking, of habits, sensations, psychological <SBR/>demands and all the rest of it, then smoking drops away. &nbsp;You can understand only when <SBR/>there is a development of intelligence, when intelligence is functioning, and intelligence is not <SBR/>functioning when there is substitution. &nbsp;Substitution is merely a form of self-bribery, to tempt <SBR/>you not to do this but to do that. </FONT></P><P ALIGN="LEFT"></P> E Ez @ = C E 	"   W0S            (  PG 5 C @:Ol~{ 	  sn 2  3        (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099">Nationalism, with its poison, with its misery and world strife, can disappear only when there is <SBR/>intelligence, and intelligence does not come merely by passing examinations and studying <SBR/>books. &nbsp;Intelligence comes into being when we understand problems as they arise. &nbsp;When <SBR/>there is understanding of the problem at its different levels, not only of the outward part but of <SBR/>its inward, psychological implications, then, in that process, intelligence comes into being. </FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#330099">So when there is intelligence there is no substitution; and when there is intelligence, then <SBR/>nationalism, patriotism, which is a form of stupidity, disappears. <FONT COLOR="#000000">&nbsp;</FONT></FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"></P> E E{ @ @ C 	"   W0S            (  PG 6 = @:Ol~| @ = @ @ @ @    0M5@= R D @ = = Z 0 @ = @ = R D @ Z 0 	"    W0S            (  PG 1 C  @:Ol~ @ @ @ @ @ @ = C @ @    0M5'@@ = R D @ Z 0 @ @ @ @ @ @ @ @ = @ @    0M5@= R D @ @ Z 0 @ = @ @ @ = R D @ Z 0 @ @ @ @ @ = 	#   !_D?` 0S  33        (  PG 1 C !'@:Ol~ @ @ C    0NP=  '@:Ol~ @ = = R D @ Z 0 	#   "_D?` 0S  33        (  PG 3 C "'@:Ol~ @ C 	#   #_D?` 0S  33        (  PG 4 C #'@:Ol~ @ C 	#   $_D?` 0S  33        (  PG 5 C $'@:Ol~ @ C 	#   %_D?` 0S  33        (  PG 6 C %'@:Ol~ @ @ @ @ @ = C C !'@:Ol~ @ @ C    0NБ=  '@:Ol~ @ = = R D @ Z 0 C "'@:Ol~ @ C C #'@:Ol~ @ C C $'@:Ol~ @ C C %'@:Ol~ @ @ @ @ @ = C C !'@:Ol~ @ @ C    0N:Ќ= R D @  '@:Ol~ @ @ @ Z 0 C "'@:Ol~ @ C C #'@:Ol~ @ = C C $'@:Ol~ @ @ C = %'@:Ol~ @ = @ @ @ @ @ @  
             # 6 7 8 9 : ; < D G @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ E F ?    
   introduction   vh
  i3 W   & J     .T    04      ?      04         &  :3W   ' J     .T    04      ?      04         '  =m34W   ( J     .T    04      ?      04         (  ;3 W   ) J     .T    04      ?      04       3  )  .rW   * J     .T    04      ?      04       =  *  .@W   + J     .T    04      ?      04       G  +  .;@W   , J     .T    04      ?      04         ,  .r3G  t f    0M5E@i @̆     !    ) ȨȠ   6# F   @:Nd`# header 	y   -g/
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>Introduction</B></FONT></P> 6 -$S 	   .g-
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>1. &nbsp;Lao Tsu &nbsp;</B></FONT></P> 7 .; 	   /g4O
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>2. &nbsp;Confucius </B></FONT></P> 8 / 	   0g-w
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>3. &nbsp;Buddha &nbsp;</B></FONT></P> 9 0 	{   1W{
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>4. &nbsp;&nbsp;</B></FONT></P> : 1݀	u   2W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>5. &nbsp;</B></FONT></P> ; 2	J0	u   3W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>6. &nbsp;</B></FONT></P> < 3	Jf= R D	"   4W0S            (  PG 1 @ 4@:Ol~D U b@	   5  2               <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Eastern Thinkers under construction....</FONT></P> E 5T X   6p(v	p 	" 3f3 	5fTɚ[@ 8h8833  `I|&Kxbaŵ+,kVL F 65Ŭ@ @ E @ Z 0	"   7W0S            (  PG 2 C 7@:Ol~@ C 	"   8W0S            (  PG 3 C 8@:Ol~@ C 	"   9W0S            (  PG 4 C 9@:Ol~@ = C 	"   :W0S            (  PG 5 C :@:Ol~@ @ C 	"   ;W0S            (  PG 6 = ;@:Ol~@ = 	"   <W0S            (  PG 7 = <@:Ol~@ = 	"   =W0S            (  PG 8 = =@:Ol~	@ = 	"   >W0S            (  PG 9 = >@:Ol~
@ = F 
   Lao 	$   ?_F` 0S            (  PG 10 = ?z@:Ol~i   @p* v	p 	" 3f3 	5fTɚ[@ 8h8833  `I|&Kxbaŵ+,kVLT%PXqmE` E @5Ŭ@ = 	$   A_E` 0S            (  PG 11 = A@:Ol~@ = 	$   B_F` 0S            (  PG 12 = Bz@:Ol~@ = 	$   C_F` 0S            (  PG 13 = Cz@:Ol~@ = 	$   D_F` 0S            (  PG 14 = Dz@:Ol~@ = 	$   E_F` 0S            (  PG 15 = Ez@:Ol~@ = 	$   F_F` 0S            (  PG 16 = Fz@:Ol~@ = 	$   G_F` 0S            (  PG 17 = Gz@:Ol~@ = 	$   H_F` 0S            (  PG 18 = Hz@:Ol~@ = 	$   I_F` 0S            (  PG 19 = Iz@:Ol~@ = 
   Confucius    0M5@= R Dm   Jp+Lv	p 	" 3f3 	5fTɚ[@ 8h8833  `I|&Kxbaŵ+,kVL7,g1"^̐ E J@ = = Z 0@ = @ = R D@ Z 0@ @ @ @ @ @ = @ @ 
   Buddha    0M5'@g   Kp* v	p 	" 3f3 	5fTɚ[@ 8h8833  `I|&Kxbaŵ+,kVLz+%SJc\ E K@ = R D @ Z 0 @ @ @ @ @ @ @ @ = @ @    0M5@= R D)E 6@ @ Z 0*@ = @ @ @ = R D-@ Z 0-@ @ @ @ @ = C !'@:Ol~2@ @ C    0NP=  '@:Ol~3@ = = R D4@ Z 04C "'@:Ol~4@ C C #'@:Ol~5@ C C $'@:Ol~6@ C C %'@:Ol~7@ @ @ @ @ = C C !'@:Ol~<@ @ C    0NБ=  '@:Ol~=@ = = R D>@ Z 0>C "'@:Ol~>@ C C #'@:Ol~?@ C C $'@:Ol~@@ C C %'@:Ol~A@ @ @ @ @ = C C !'@:Ol~F@ @ C    0N:Ќ= R DG@  '@:Ol~G@ @ @ Z 0HC "'@:Ol~H@ C C #'@:Ol~I@ = C C $'@:Ol~J@ @ C = %'@:Ol~K@ = @ @ @ @ @ @           # 6 7 8 9 : ; < D E ?    
   introduction   vhRW   L J     .T    04      ?      04       y  L  -}M3RW   M J     .T    04      ?      04       o  M  .r3*RW   N J     .T    04      ?      04       e  N  .r3 RW   O J     .T    04      ?      04         O  .rRW   P J     .T    04      ?      04         P  .@RW   Q J     .T    04      ?      04         Q  .;@RW   R J     .T    04      ?      04       R  R  .r3G R t fwR   0M5E@V   Sh_  	" 3f3 	5fTɚ[@ 8h8833  /EfH|Kܱ ڕE5&Kx  S5Ŭ ) ȨȠR   6$ F   @:Nd`# Rheader 	y   Tg/
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>Introduction</B></FONT></P> 7 T$S R	u   UW
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>1. &nbsp;</B></FONT></P> 8 U; R	u   VW
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>2. &nbsp;</B></FONT></P> 9 V R	u   WW
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>3. &nbsp;</B></FONT></P> : W R	u   XW
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>4. &nbsp;</B></FONT></P> ; X݀R	u   YW
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>5. &nbsp;</B></FONT></P> < Y	J0R	u   ZW
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>6. &nbsp;</B></FONT></P> = Z	JfR> R DR	"   [W0S            (  PG 1 A [@:Ol~RE U b@	   \  2               <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Russian Thinkers under construction...</FONT></P> F \T R@ A F A Z 0S	"   ]W0S            (  PG 2 D ]@:Ol~S@ D 	"   ^W0S            (  PG 3 D ^@:Ol~T@ D 	"   _W0S            (  PG 4 D _@:Ol~U@ > D 	"   `W0S            (  PG 5 D `@:Ol~V@ A D 	"   aW0S            (  PG 6 > a@:Ol~W@ > 	"   bW0S            (  PG 7 > b@:Ol~X@ > 	"   cW0S            (  PG 8 > c@:Ol~Y@ > 	"   dW0S            (  PG 9 > d@:Ol~Z@ > 	$   e_F` 0S            (  PG 10 > ez@:Ol~[@ > 	$   f_E` 0S            (  PG 11 > f@:Ol~\@ > 	$   g_F` 0S            (  PG 12 > gz@:Ol~]@ > 	$   h_F` 0S            (  PG 13 > hz@:Ol~^@ > 	$   i_F` 0S            (  PG 14 > iz@:Ol~_@ > 	$   j_F` 0S            (  PG 15 > jz@:Ol~`@ > 	$   k_F` 0S            (  PG 16 > kz@:Ol~a@ > 	$   l_F` 0S            (  PG 17 > lz@:Ol~b@ > 	$   m_F` 0S            (  PG 18 > mz@:Ol~c@ > 	$   n_F` 0S            (  PG 19 > nz@:Ol~d@ >    0M5@> R De@ > > Z 0f@ > @ > R DhA Z 0h@ @ @ @ @ @ > @ A    0M5'@@ > R DpA Z 0p@ @ @ @ @ @ @ @ > @ A    0M5@> R Dy@ A Z 0z@ > @ A @ > R D}A Z 0}@ @ @ @ @ > D !'@:Ol~@ A D    0NP>  '@:Ol~@ > > R DA Z 0D "'@:Ol~@ D D #'@:Ol~@ D D $'@:Ol~@ D D %'@:Ol~@ @ @ @ @ > D D !'@:Ol~@ A D    0NБ>  '@:Ol~@ > > R DA Z 0D "'@:Ol~@ D D #'@:Ol~@ D D $'@:Ol~@ D D %'@:Ol~@ @ @ @ @ > D D !'@:Ol~@ A D    0N:Ќ> R DA  '@:Ol~@ A A Z 0D "'@:Ol~@ D D #'@:Ol~@ > D D $'@:Ol~@ A D > %'@:Ol~@ > @ @ @ @ @ @               $ 7 8 9 : ; < = E ?    
   introduction   vhW   o J     .T    04      ?      04         o  -}M3W   p J     .T    04      ?      04           6 p  .r3*hafiz  p  .r3 W   q J     .T    04      ?      04         q  .rТW   r J     .T    04      ?      04         r  .@W   s J     .T    04      ?      04         s  .;@W   t J     .T    04      ?      04         t  .r3G  t fW   u J     .T    04      ?      04           6 uf{kahilgabran W   v J     .T    04      ?      04           6 vfE kahil W   w J     .T    04      ?      04           6 wcfhafiz !  fGL#  3"%  2C'  1z)    0M5E@i @̆*    + !   e   xp*	 v	p 	" 3f3 	5fTɚ[@ 8h8833  agETҩ,L z$H|%<\ ڕE5&Kx , x5Ŭ- ) ȨȠ   62 F   @:Nd`# header 	y   yg/
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>Introduction</B></FONT></P> E y$S 	   zo1 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>1. Kahlil Gabran &nbsp;</B></FONT></P> F z; 	   {o1 21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>2. HAFIZ- 1320-1389 </B></FONT></P> G { 	u   |W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>3. &nbsp;</B></FONT></P> H | 	u   }W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>4. &nbsp;</B></FONT></P> I }݀	u   ~W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>5. &nbsp;</B></FONT></P> J ~	J0	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>6. &nbsp;</B></FONT></P> K 	JfL R D	"   W0S            (  PG 1 O @:Ol~S U b@@ O O Z 0	"   W0S            (  PG 2 R @:Ol~@ R 	"   W0S            (  PG 3 R @:Ol~@ R 	"   W0S            (  PG 4 R @:Ol~@ L R 	"   W0S            (  PG 5 R @:Ol~@ O R 	"   W0S            (  PG 6 L @:Ol~@ L 	"   W0S            (  PG 7 L @:Ol~@ L 	"   W0S            (  PG 8 L @:Ol~@ L 	"   W0S            (  PG 9 L @:Ol~@ L 
   kahil    p.! v	p 	" 3f3 	5fTɚ[@ 8h8833 ( agETҩ,L z$H|%<\ ڕE5&Kx`%X^a\IxӘ"Kܱ , 	$   _F` 0S            (  PG 10 L z@:Ol~	  k?2  33        (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#333300">Kahlil Gabran wrote the famous book called <B><I>The Prophet.</I></B>.. and the story was told in <SBR/>Baghdad. &nbsp;</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#333300">Remember the wonderful stories?</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#333300">to be continued</FONT></P> T 9U @ L T L R DO Z 0	$   _E` 0S            (  PG 11 R @:Ol~@ R 	$   _F` 0S            (  PG 12 R z@:Ol~@ R 	$   _F` 0S            (  PG 13 R z@:Ol~@ R 	$   _F` 0S            (  PG 14 R z@:Ol~@ R 	$   _F` 0S            (  PG 15 R z@:Ol~@ R 	$   _F` 0S            (  PG 16 R z@:Ol~@ R 	$   _F` 0S            (  PG 17 R z@:Ol~@ R 	$   _F` 0S            (  PG 18 R z@:Ol~@ L O R 	$   _F` 0S            (  PG 19 L z@:Ol~@ L 
   hafiz )   0M5@   p/av	p 	" 3f3 	5fTɚ[@ 8h8833 + agETҩ,L z$H|%<\ ڕE5&Kx`XhL`U`+/
XB` , L R D	9  _ 2  33        (  <P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#333300">HAFIZ- 1320-1389....</FONT></P><P ALIGN="LEFT"></P><P ALIGN="LEFT"><FONT FACE="Arial" SIZE="12" COLOR="#333300">Shams-ud din Muhammad is the most beloved poet of Persia. &nbsp;&nbsp;Born is Shiraz, he lived at <SBR/>about the same time as Chaucer in England and about one hundred years after Rumi. &nbsp;He <SBR/>spent nearly all his life in Shiraz, where he became a famouse Sufi master. &nbsp;When he died he <SBR/>was thought to have written an estimated 5,000 poems, of which 500 to 700 have survived. &nbsp;<SBR/>His <B><I>Divan </I></B>(collected poems) is a classic in the literature of Sufism. &nbsp;&nbsp;The work of Hafiz became <SBR/>known to the West larglely through the efforts of Goethe, whose enthusiasm rubbed off on <SBR/>Ralph Waldo Emerson, who translated Hafiz in the nineteenth century. &nbsp;&nbsp;Hafiz&apos;s poems were <SBR/>also admired by such diverse writers sas Nietzche, Pushkin, Turngenev, , Carlyle, and Garcia <SBR/>Lorca; even Sherlock Holmes quotes Hafiz in one of the stories by Arthur Conan Doyle. &nbsp;In <SBR/>1923, Hazrat Inayat Khan, the Indian teacher often credited with bringing Sufism to the West, <SBR/>proclaimed that &quot;the words of Hafiz have won every heart that listens.&quot; </FONT></P> T o @ T O Z 0	"   W0S            (  PG 1 R @:Ol~ )   xfԢu    335p~A|o4M` T    xT Gр 	1    UV[(d] ;)6PF] i%+@ 	A 34{0M̞= ={ǦO@fzT0)L= =4z GOX= =>s'a= =z$ztc	Ѓ	]64z stGOX= =>a뇠=BzhzŃ'OK= =ܩpch8zT0ꧨA'= GF0= ={)Cy&IS=Jn zC؏RY= =zM̞=0z zBJ=0z {3'OB@MA?'=4=tcaMW72z0SӣOC@) z'	,zSzhz sԦ=NzG=pSpՏQ=Vnzb%?ь'@fzd SsQ=:1؏M=L=pBHF0=puOR^72zz S'@f1\OMzT؏S\=2z F/Y= =hzƣsOM=p'̞=:1!Tb=Dz`(i=BA?S=Bz zhꧪSꞞ72z zBM\=2z zORa=*z|b ь'Md$znMc=>1TYLnTݓ7:1\0)u:Z#ǠiOzT0T=InSrNY=4= zS'
h2z Gb=HI {0'=HI|b؏L=Vn	8 U E*@ R 	"   W0S            (  PG 2 R @:Ol~ )   xf"     5z~<|o4N` T m  p̀b 	1     UV[(k2e NAJu+@]ev A )'A']!&a'	 y!&هn {0ьvO@  IMӞ= =s'	 e7*z)؏@fzd ҧ	3\==N#Oz zzݓУI8#!MS=FzԦ=Ma뇠1A.^72z {0ҧ@xY4{0F-=L= a뇦O@Sh8zœRo7
= U ҙ[ %   xf٢u   %p},ni蜏 V  @ L R T U V 	"   W0S            (  PG 3 R @:Ol~Q   xf٢  3   335QFM'[PCcMEo3   %59 U    xd I"  
1 3 "a$ N,\$ N@DT ND<$ NTD NT4$ NHL0NPD@$LP1  O Y`xz =hzzxz =I =pzxz =I =Ihzzxz =V=zxzVz= =I =I =zVVxztxzV =xzzxzV =ĠVxz =txzxz=y =I =|IVxzxzt =hzt ==y=O`xz =hzzxz =I =pzxz ==I =I=z =xzz=z=Ixz =V=t =I ==t =Vzxz=zxzz =zIhzxz =|IV ==zxz=OL =y =txzhzV= =|IV =hzyI= =IhzI =hzy =I =zIVxzIxz =yV =Vxzpz=z =ltt= ==z=!
PL ===zxz =xz== =y =txzhzV= =|IV =hzyxz ===zxz=y =I =I =hz =zhzV =z=|Ixz ==I =Ixz =zhzpzVxzt= =D&IxztxzV =z=z= =|I =yV =lxzhzI=|I= =xzhzVI=(Y`xz =hzzxz =hz =Iy =I =lxz|IV=xzt =Izxz =hzzxzpzIz =|I =lxzt=xzpzxz =IhzI =zIhzt =Iz=txz =|I =V =zxz =hzt =<zI =I =V =Vxzhzz =hD ==xzhzzxz= = =D =H=xzhzzxz =pzxz =I =hzt ==hzy=h(O(V =xz =hzzxz =I =pzxz =xzVxz =I =Ihzzxz =V=zxzVz =V =I =pz|I=xz =V =tVz =z=V=Iz=*SI =I =xzzxzV=xzpzxz =xzzxzV =hzt =xzzxzV =ĠVxz =txzxz=y =V =t=z=xz =pzVhzxz= =|IVxzxzt= =hzt =8=IJ V O@ @ @ @ @ @ R @ O )   0M5'@L R D@ O Z 0@ @ @ @ @ @ @ L @ L R D@ O )   0M5@@ L L Z 0@ @ L L R D@ O Z 0@ @ @ @ L @ R !'@:Ol~@ O R )   0NPL R DO  '@:Ol~@ O O Z 0R "'@:Ol~@ R R #'@:Ol~@ R R $'@:Ol~@ R R %'@:Ol~@ @ @ @ L @ R R !'@:Ol~@ O R )   0NЌL R DO  '@:Ol~@ O O Z 0R "'@:Ol~@ R R #'@:Ol~@ R R $'@:Ol~@ R R %'@:Ol~@ @ @ @ L @ R L R DR !'@:Ol~@ O R )   0N:БO  '@:Ol~@ O O Z 0R "'@:Ol~@ L R R #'@:Ol~@ R R $'@:Ol~@ O R L %'@:Ol~@ L @ @ @ @ @ @             ! # % ' ) * + , - 2 E F G H I J K S U V ?    
   introduction   vhW    J     .T    04      ?      04           -}M3W    J     .T    04      ?      04           .r3*W    J     .T    04      ?      04           .r3 W    J     .T    04      ?      04       #    .rW    J     .T    04      ?      04       -    .@W    J     .T    04      ?      04       7    .;@ t   .r3G     0M5E@i @̆     !   i   p*!v	p 
" 3f3 	4LhxLhTLhp X8h8Ԝ33  X XTx^ X,x^ Xp^xȇ  5Ŭ ) ȨȠ   6" F   @:Nd`# header 	y   g/
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>Introduction</B></FONT></P> 5 $S 	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>1. &nbsp;</B></FONT></P> 6 ; 	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>2. &nbsp;</B></FONT></P> 7  	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>3. &nbsp;</B></FONT></P> 8  	o   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>4. </B></FONT></P> 9 ݀	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>5. &nbsp;</B></FONT></P> : 	J0	u   W
`21            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="11" COLOR="#000000"><B>6. &nbsp;</B></FONT></P> ; 	Jf< R D	"   W0S            (  PG 1 ? @:Ol~C U b@	    Ȁ2            (  <P ALIGN="LEFT"><FONT FACE="_sans" SIZE="12" COLOR="#000000">Latin American Thinkers under construction.<FONT SIZE="14">..</FONT></FONT></P> D T @ ? D ? Z 0	"   W0S            (  PG 2 B @:Ol~@ B 	"   W0S            (  PG 3 B @:Ol~@ B 	"   W0S            (  PG 4 B @:Ol~@ < B 	"   W0S            (  PG 5 B @:Ol~@ ? B 	"   W0S            (  PG 6 < @:Ol~@ < 	"   W0S            (  PG 7 < @:Ol~@ < 	"   W0S            (  PG 8 < @:Ol~@ < 	"   W0S            (  PG 9 < @:Ol~@ < 	$   _F` 0S            (  PG 10 < z@:Ol~@ < 	$   _E` 0S            (  PG 11 < @:Ol~@ < 	$   _F` 0S            (  PG 12 < z@:Ol~@ < 	$   _F` 0S            (  PG 13 < z@:Ol~@ < 	$   _F` 0S            (  PG 14 < z@:Ol~@ < 	$   _F` 0S            (  PG 15 < z@:Ol~ @ < 	$   _F` 0S            (  PG 16 < z@:Ol~@ < 	$   _F` 0S            (  PG 17 < z@:Ol~@ < 	$   _F` 0S            (  PG 18 < z@:Ol~@ < 	$   _F` 0S            (  PG 19 < z@:Ol~@ <    0M5@< R D@ < < Z 0@ < @ < R D? Z 0@ @ @ @ @ @ < @ ?    0M5'@@ < R D? Z 0@ @ @ @ @ @ @ @ < @ ?    0M5@< R D@ ? Z 0@ < @ ? @ < R D? Z 0@ @ @ @ @ < B !'@:Ol~"@ ? B    0NP<  '@:Ol~#@ < < R D$? Z 0$B "'@:Ol~$@ B B #'@:Ol~%@ B B $'@:Ol~&@ B B %'@:Ol~'@ @ @ @ @ < B B !'@:Ol~,@ ? B    0NБ<  '@:Ol~-@ < < R D.? Z 0.B "'@:Ol~.@ B B #'@:Ol~/@ B B $'@:Ol~0@ B B %'@:Ol~1@ @ @ @ @ < B B !'@:Ol~6@ ? B    0N:Ќ< R D7?  '@:Ol~7@ ? ? Z 08B "'@:Ol~8@ B B #'@:Ol~9@ < B B $'@:Ol~:@ ? B < %'@:Ol~;@ < @ @ @ @ @ @   
